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  • The perfect man for the job!
    The inquisition of Nathan Alarcon

  • The Philippine Book Launch of A Moment in the Sun by John Sayles

  • Photos from our Boracay Event

  • Blog Posts

    Ely Buendia on Flying Solo

    November 1, 2010

    I’m not going to play it cool, I’m a big fan of Ely Buendia. So when I bumped into him in (would you believe it) Legazpi City, Albay, all hell broke loose in my head (well, not really “all”), and a 5-minute, no, 10-minute chit-chat had to happen. We talked mostly about working on his album In Love And War, and here’s how the interview went:

    How’s working as a solo artist?
    I’ve never tried it before so it’s something new. When you’ve been in the business as long as I have, medyo you want to try out different stuff. See, I wasn’t supposed to be doing this alone, as you well know. I was planning this with Francis (Magalona). We were supposed to tour the country after the release of the album. So this is my way of honoring that.

    Do you control everything?
    Yes, I have to! Well, just this once, it’s also liberating to be this—tell the band to play this and they will play it.

    How about the touring aspect?
    We have a couple of shows lined up na for the provinces. Right now, I’m concentrating on the provinces, while my other band Pupil, parang teritoryo kasi ng Pupil ‘yung Manila. I didn’t want to get people mixed up.

    Kasi ngayon pa nga lang, people are asking, “Solo na ba talaga si Ely? Wala na ba talagang Pupil?”

    So, this is more like a side project for you?
    Not in the sense na I don’t take it seriously. I mean, this could be my main project, at least now, while the third Pupil album is still being mixed. So I’m pouring all my energy on this one.

    You were supposed to work with Francis on this; was there any song that you guys did together and were supposed to do that you put in the album anyway?
    Nakagawa kami ng tatlong songs lang, actually. The first one is “Higante,” na we wrote together, that’s really a 50/50 effort. And si Francis, he came up with this idea of doing a remake, yung “Bus Stop”—it’s a ‘60s pop song. Tapos, we did another one, but this one he wrote by himself, the song’s called “Bleeder.” Ang tumugtog naman dun, ‘yung banda ko, Pupil, which just goes to show you how flexible everything was. Kung sino yung we felt could do justice to the song or make an interesting arrangement, ‘yunyung ginagamit namin na band. As a matter of fact there’s like five or six different bands playing on In Love And War. So it’s in the spirit of collaboration.

    Other than Pupil, who were the other artists that contributed in this project?
    Andun ‘yung Hilera, which is one of my favorite young bands today. Also Turbo Goth, tapos andun din yung, I don’t know if you know them, medyo underground sila—The Purplechickens.

    Having done this album, is there a different sense of personal achievement on your part? Is this your way of getting to do the things that you weren’t able to do with your former bands or with your current band?
    Surprisingly, I still have a lot of stuff that I want to do. I have played with three bands na, actually, (before) I released a solo album. When we started doing In Love And War, it just felt so natural and fresh para sa aming dalawa ni Francis to be doing an album. And nobody’s really done it before. Kaya, I’m still pretty excited about the album. It’s one of the best albums that came out this year. And I love playing the songs live. I have the band with me, which includes members of The Hardware Syndrome, Francis’ old band and nag-click naman ‘yung tugtugan.

    An UNO Exclusive: Wasak Waltz Full MV

    September 30, 2010

    A couple of days ago we divulged details of the Wasak Waltz story and how UNO Magazine was heavily involved. Due to popular demand, we now present the full 3:44 music video directed by Jason Tan.

    Credits:
    Artists: Ely Buendia and Francis Magalona

    Production House: Furball
    Director: Jason Tan
    Producer: Maria Diane Ventura and Erwin Romulo
    Cinematographer: Anne Monzon
    Cinematographer SY: Dix Buhay
    Production Manager: Red Banque
    Production Designer: Sharon See
    Stylist: Mads Adrias
    Assistant Stylist: Knell Fabiania
    Caster: Norman Crisologo
    Make-up: Lilian Yeung
    Hair: Buboy Bajado
    Lights,grip&crew: Cinerent

    Talents: Shawn Yao, Tricia Gosingtian and Alexandra Keuls

    Super thanks to Lyle Sacris and Paolo Dy for lending their cameras

    Note: This is the first place you’ll see this video online. The full Wasak Waltz MV is marked as an unlisted video on YouTube.

    Francis Magalona in Memoriam

    April 6, 2009

    kiko_francism

    On the cover of Happy Battle is a Nintendo-era bare-knuckles fighter. He is shirtless. He is on bad-ass karate stance. He is wearing an expression that says “kill.” His face, however, does not give away his age easily. He is eternally in limbo between adolescence and full-blown adulthood. He is both fifteen and thirty. He is simultaneously twelve and forty. He is both a young teenager on Ninja Kids and a baby-faced father on Eat, Bulaga! He is Francis Magalona, and—like his likeness on that album cover—he is a superhero.
    Read more…