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	<title>UNO Magazine Online &#187; Tribute</title>
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	<copyright>Copyright &#xA9; UNO Magazine Online 2010 </copyright>
	<managingEditor>kivendood@yahoo.com (UNO Magazine Online)</managingEditor>
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	<itunes:author>UNO Magazine Online</itunes:author>
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		<title>Happy Birthday Kiko!</title>
		<link>http://www.unomagazine.com.ph/2010/10/happy-birthday-kiko/</link>
		<comments>http://www.unomagazine.com.ph/2010/10/happy-birthday-kiko/#comments</comments>
		<pubDate>Mon, 04 Oct 2010 09:16:08 +0000</pubDate>
		<dc:creator>Jayvee</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Francis M]]></category>
		<category><![CDATA[Happy Birthday]]></category>
		<category><![CDATA[Kiko]]></category>
		<category><![CDATA[Tribute]]></category>

		<guid isPermaLink="false">http://www.unomagazine.com.ph/?p=2502</guid>
		<description><![CDATA[This article originally appeared in our March &#8217;10 issue titled &#8220;A Slide in the Slope, A Look in the Kaleidoscope: Francis Magalona in Memoriam&#8221; Happy birthday Kiko! &#8212; Ed Written by Aldus Santos On the cover of Happy Battle is a Nintendo-era bare-knuckles fighter. He is shirtless. He is on bad-ass karate stance. He is [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.unomagazine.com.ph/wp-content/uploads/2010/10/kiko2.jpg"><img src="http://www.unomagazine.com.ph/wp-content/uploads/2010/10/kiko2.jpg" alt="" title="kiko2" width="600" height="399" class="alignnone size-full wp-image-2503" /></a></p>
<p><em>This article originally appeared in our March &#8217;10 issue titled &#8220;A Slide in the Slope, A Look in the Kaleidoscope: Francis Magalona in Memoriam&#8221; Happy birthday Kiko! &#8212; Ed<br />
</em></p>
<p>Written by Aldus Santos</p>
<p>On the cover of Happy Battle is a Nintendo-era bare-knuckles fighter. He is shirtless. He is on bad-ass karate stance. He is wearing an expression that says “kill.” His face, however, does not give away his age easily. He is eternally in limbo between adolescence and full-blown adulthood. He is both fifteen and thirty. He is simultaneously twelve and forty. He is both a young teenager on Ninja Kids and a baby-faced father on Eat, Bulaga! He is Francis Magalona, and—like his likeness on that album cover—he is a superhero.<br />
<span id="more-2502"></span><br />
When he succumbed to complications from acute myeloid leukemia on March 6, 2009, the man unanimously dubbed as the “Master Rapper” disproved his proverbial immortality. Yet he became an even bigger, larger-than-life figure of myth, and people immediately started finding ways to canonize him as soon as he “left the building.” Not even seconds away from a posthumous Presidential Medal of Merit, a move from some sectors to nominate Magalona as National Artist started floating. But far bigger than any government-granted honor is the effect Magalona’s art has had on people. “Huwag ka nang matakot sa dilim,” he sings in the choruses of Gloc 9’s “Lando,” his recorded voice being played back a day after he died while Aries Pollisco (Gloc 9) sang the verses, battling oceans of tears streaming down his cheeks on live television. </p>
<p>Two decades ago, Kiko is freestyle-rapping along to Alma Moreno’s pseudo-burlesque act in LoveliNess. Two decades after that, he is publicly announcing his illness. He will also keep weblogs of every hospital visit, posing in pictures as his wife Pia Arroyo-Magalona snapped away, his optimism highly visible. In one picture, he is hooked up to intravenous systems. In another, he is bald. In all, he is smiling, like hospital visits to get a serious form of cancer treated are the most beautiful things in the world. From “Loving You” to “Mga Kababayan” to “Mga Praning” to “Ito ang Gusto Ko” to “Kaleidoscope World,” Magalona showed a lyrical sensibility closer to John Lennon and Bob Marley than, say, Tupac Shakur or the Notorious B.I.G. He is not a mere rap artist. He is a romantic, a proud nationalist, a social commentator, and a peacenik. The way the hundred-thousand-strong crowd at The Final Set concert of the momentarily-reunited Eraserheads is chanting his name with careless abandon—hearts firmly on sleeves—it is obvious the man is extremely loved. “Let the sun shine, let the rivers run away,” he sings on “Girl be Mine,” and, while it is an open love letter to his wife, it is also an appreciation of life, as he croons later on in the song, “It’s a beautiful day now, hey now.” However, apart from the songs, it is when he struts his stuff in shirts he designed himself—which will typically have “three stars and a sun”—that he turns into a modern-day nationalist, a break from the old-fashioned pomposity of yesteryears. </p>
<p>The pop world, where Magalona unapologetically belonged, did not diminish the man’s credibility. It was almost as though “The Man from Manila” was a street shaman one could simply not ignore. We will never really know what Magalona had—“Meron Akong Ano” will provide few leads—but we will forever be in debt.                           </p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p><a href="http://www.unomagazine.com.ph/wp-content/uploads/2010/10/DSCF0249.jpg"><img src="http://www.unomagazine.com.ph/wp-content/uploads/2010/10/DSCF0249.jpg" alt="" title="DSCF0249" width="600" height="400" class="alignnone size-full wp-image-2504" /></a></p>
<p>Remembering Kiko: </p>
<p>He has touched the lives of thousands including these three young artists who were all lucky enough to have worked with such a legend and kind hearted person. </p>
<p>Chito Miranda<br />
Vocalist, Parokya ni Edgar</p>
<p><em>Isa syang super idol, national hero, national treasure, sobrang galing na musikero, kuya, kaibigan, at makulit at nakakatawang katrabaho. Sa hip hop community dito sa Pilipinas, malaking tulong talaga sa Sir Kiko&#8230; tinutulungan nya yung mga bagong hiphop artists na maitaguyod ang kanilang musika&#8230;siya rin ang pinaka-importanteng &#8220;missing link&#8221; ng rock at hiphop.<br />
</em><br />
Gloc 9<br />
Rapper</p>
<p><em>Sir Francis treated me like a brother he always made sure that in every show if possible i will be his front act.  I learned how to be confident on stage regardless  the number of people watching.  He is my Idol not only when it comes to music but also as a father.  I will never forget Sir Francis, everyday of my life he will always be a reminder that Dreams do come true and nothing is impossible. He meant a lot not only to hiphop but to the music industry as a whole. He is an artist that can perform music from Rap to Rock and Funk to Punk. He is who he is right now because he is a perfect example of an Atist that does not thrive on what ever song he has on the radio or what album is currently released in the record bars. He is the kind of artist that makes a song Famous and not the kind who is Famous because of a song.<br />
</em><br />
Avid Liongoren<br />
Director / Illustrator</p>
<p><em>To me he was an amazing concept personified. How many people in the universe could be a father of eight, a popper locker, a video game aficionado, a music icon &#038; a Ninja Kid in one life time?<br />
>He always counted his blessings long before he even got sick &#038; I always admired the amount of positivity he contained. He meant so much in the entire Philippine MUSIC. 3 Stars &#038; the Sun is the only song that makes me want to raise a clenched fist &#038; wave a flag.</em</p>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Francis Magalona in Memoriam</title>
		<link>http://www.unomagazine.com.ph/2009/04/a-slide-in-the-slope-a-look-in-the-kaleidoscope-francis-magalona-in-memoriam/</link>
		<comments>http://www.unomagazine.com.ph/2009/04/a-slide-in-the-slope-a-look-in-the-kaleidoscope-francis-magalona-in-memoriam/#comments</comments>
		<pubDate>Mon, 06 Apr 2009 05:26:51 +0000</pubDate>
		<dc:creator>Jayvee</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Francis M]]></category>
		<category><![CDATA[Francis Magalona]]></category>
		<category><![CDATA[Kiko]]></category>
		<category><![CDATA[Parokya ni Edgar]]></category>
		<category><![CDATA[Tribute]]></category>

		<guid isPermaLink="false">http://www.unomagazine.com.ph/?p=60</guid>
		<description><![CDATA[On the cover of Happy Battle is a Nintendo-era bare-knuckles fighter. He is shirtless. He is on bad-ass karate stance. He is wearing an expression that says “kill.” His face, however, does not give away his age easily. He is eternally in limbo between adolescence and full-blown adulthood. He is both fifteen and thirty. He [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.unomagazine.com.ph/wp-content/uploads/2009/04/kiko_francism.jpg" alt="kiko_francism" title="kiko_francism" width="580" /></p>
<p>On the cover of <em>Happy Battle</em> is a Nintendo-era bare-knuckles fighter. He is shirtless. He is on bad-ass karate stance. He is wearing an expression that says “kill.” His face, however, does not give away his age easily. He is eternally in limbo between adolescence and full-blown adulthood. He is both fifteen and thirty. He is simultaneously twelve and forty. He is both a young teenager on Ninja Kids and a baby-faced father on Eat, Bulaga! He is Francis Magalona, and—like his likeness on that album cover—he is a superhero.<br />
<span id="more-60"></span><br />
When he succumbed to complications from acute myeloid leukemia on March 6, 2009, the man unanimously dubbed as the “Master Rapper” disproved his proverbial immortality. Yet he became an even bigger, larger-than-life figure of myth, and people immediately started finding ways to canonize him as soon as he “left the building.” Not even seconds away from a posthumous Presidential Medal of Merit, a move from some sectors to nominate Magalona as National Artist started floating. But far bigger than any government-granted honor is the effect Magalona’s art has had on people. “Huwag ka nang matakot sa dilim,” he sings in the choruses of Gloc 9’s “Lando,” his recorded voice being played back a day after he died while Aries Pollisco (Gloc 9) sang the verses, battling oceans of tears streaming down his cheeks on live television. </p>
<p><img src="http://www.unomagazine.com.ph/wp-content/uploads/2009/04/uno_francism.jpg" alt="uno_francism" title="uno_francism" width="580" class="alignnone size-full wp-image-62" /></p>
<p>Two decades ago, Kiko is freestyle-rapping along to Alma Moreno’s pseudo-burlesque act in LoveliNess. Two decades after that, he is publicly announcing his illness. He will also keep weblogs of every hospital visit, posing in pictures as his wife Pia Arroyo-Magalona snapped away, his optimism highly visible. In one picture, he is hooked up to intravenous systems. In another, he is bald. In all, he is smiling, like hospital visits to get a serious form of cancer treated are the most beautiful things in the world. From “Loving You” to “Mga Kababayan” to “Mga Praning” to “Ito ang Gusto Ko” to “Kaleidoscope World,” Magalona showed a lyrical sensibility closer to John Lennon and Bob Marley than, say, Tupac Shakur or the Notorious B.I.G. He is not a mere rap artist. He is a romantic, a proud nationalist, a social commentator, and a peacenik. The way the hundred-thousand-strong crowd at The Final Set concert of the momentarily-reunited Eraserheads is chanting his name with careless abandon—hearts firmly on sleeves—it is obvious the man is extremely loved. “Let the sun shine, let the rivers run away,” he sings on “Girl be Mine,” and, while it is an open love letter to his wife, it is also an appreciation of life, as he croons later on in the song, “It’s a beautiful day now, hey now.” However, apart from the songs, it is when he struts his stuff in shirts he designed himself—which will typically have “three stars and a sun”—that he turns into a modern-day nationalist, a break from the old-fashioned pomposity of yesteryears. </p>
<p><img src="http://www.unomagazine.com.ph/wp-content/uploads/2009/04/unomagazine_francism.jpg" alt="unomagazine_francism" title="unomagazine_francism" width="580" class="alignnone size-full wp-image-63" /></p>
<p>The pop world, where Magalona unapologetically belonged, did not diminish the man’s credibility. It was almost as though “The Man from Manila” was a street shaman one could simply not ignore. We will never really know what Magalona had—“Meron Akong Ano” will provide few leads—but we will forever be in debt. </p>
<p>// Article by Aldus Santos, April 2009</p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
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